Upcoming Exhibitions

Spring 2024 BFA Thesis Exhibition: Embody

April 19 - April 26, 2024 |  Opening reception Friday, April 19 from 6 - 8 p.m. in Kimball Visual Arts, room 120.

Please join us for a showcase of capstone work by our graduating art and design students:

Brynleigh Bassett, Ashley Conrad, Emma Cornelius, Alexa Crookston, Ami Dillingham, Rebeca Funes, Oliver Gothe, Diane Green, K'Lyn Hobbs, Elizabeth Howey, Shelby Miller, Alexus Moore, Cassidy Osicki, Hailey Osicki, Bayleigh Schroeder, Amy Stokes and Lauren Windley.

This programming is generously supported by Weber County RAMP, the Mark E. & Lola G. Austad Endowment, Jack and Bonnie Wahlen, WSU's Lindquist College of Arts & Humanities, Ogden City Arts, Weber Student Fees and the Utah Division of Arts & Museums.

Megan Gecker: a dream that comes in color

May 31 - September 30, 2024 at Dumke Arts Plaza  |  Opening reception Friday, May 31 from 6 - 8 p.m.

Megan Geckler's a dream that comes in color is a vibrant, kaleidoscopic declaration of the beauty of differences coming together in harmony. It is a large-scale, site-specific installation artwork that uses hyper-colorful, recyclable PVC film, integrated seamlessly with the architecture of the site to inspire, uplift, and provide a space for contemplation at Dumke Arts Plaza.

This programming is generously supported by Weber County RAMP, the Mark E. & Lola G. Austad Endowment, Jack and Bonnie Wahlen, WSU's Lindquist College of Arts & Humanities, Ogden City Arts, Weber Student Fees and the Utah Division of Arts & Museums.

It So Happened: Guest curated by Kellie Bornhoft

May 31 - September 30, 2024 at Dumke Arts Plaza (video screen)  |  Opening reception Friday, May 31 from 6 - 8 p.m.

Featuring work by: Sabine Gruffat, Lynn Kim, Alicia Little, Hope Tucker, Jacklyn Brickman, Kelsey Paschich & Kevin Abbott

It So Happened is a colorful collection of moving-image works that unveil their own making. Each of these works takes on a different approach to image-making that blurs the lines between technological and hand-processed methods. Hope Tucker processes cyanotypes in the desert sand as a narrative antidote to radiation exposure for downwinders in Utah Canyon, Sabine Gruffat laser-cut individual frames of 35mm filmstrips, Alicia Little archives the material becomings of impromptu sculptures, Lynn Kim recreates a dream through hand-drawn animation and Jacklyn Brickman, Kelsey Paschich and Kevin Abbott document a collaborative performance. 

This programming is generously supported by Weber County RAMP, the Mark E. & Lola G. Austad Endowment, Jack and Bonnie Wahlen, WSU's Lindquist College of Arts & Humanities, Ogden City Arts, Weber Student Fees and the Utah Division of Arts & Museums.